Showing posts with label Below Average White Band. Show all posts
Showing posts with label Below Average White Band. Show all posts

Sunday, January 10, 2010

Identity parade 1980

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From the Behan archive, some of the usual suspects line up for what was, I suspect, a 'Mr Crickley' ceremony. Back row, L to R: Jim Gale resplendent in a smoking jacket, Mike Taylor, Training, John Parry. Front row: left side of Arwel Barrett's face, C-H-M in black tie acquired from the Cheltenham Oxfam shop and Mark the Clerk. From the length of my beard and the comparison of the colours in Mike's scarf with other dated photographs this was probably taken in 1980. It was certainly before the performance of the Below Average White Band which led to the untimely demise of the piano ...

Friday, December 4, 2009

Was the Below Average White Band ahead of its time?

Joanne Milroy has had a fascinating item pop into her inbox. She writes:

"Dear Julian,

See below a news release from the government's recycling bods. Don't ask why in the course of my working day I am exposed to this sort of thing - I know it isn't good for me.

But the big question is ....is this a secret reformation of the Below Average White Band or just another demonstration that our most favourite popular music combination was so ground-breaking it has taken the rest of the world 30 years to catch up?

Joanne


December 03, 2009
FOR IMMEDIATE RELEASE


WASTE ELECTRICAL 'INSTRUMENTS' TO ENCOURAGE GADGET-GRIPPED BRITONS TO RECYCLE

With the UK public predicted to spend £7.3bn on electricals in the run up to Christmas this year, a new survey from Recycle Now (
http://www.recyclenow.com ) has revealed that more than a third of us (35 per cent) still believe we can't recycle the small electrical and electronic goods we are replacing, such as kettles, games consoles, phones and garden power tools.

But with 80 per cent saying we'd make more effort to recycle if we knew we could, Recycle Now is teaming up with The Really Rubbish Orchestra and BBC Last Choir Standing finalists Hear Me Now! on 1 December for a special concert in Covent Garden to raise awareness that small waste electricals do have value and can be recycled.

Recycle Now's latest survey of 1,500 UK adults reveals that just under 30 per cent of us - particularly young people and women - simply throw broken or unwanted items away in the rubbish, whereas if we switched to recycling these items we could divert over 100,000 tonnes of valuable waste electricals from landfill each year, weighing the equivalent of 14,000 double decker buses.

The survey also indicates that people over 35 are 50 per cent more likely than those under 35 to have recycled at least one small electrical item, and men are almost 20 per cent more likely than women. But despite the hundreds of recycling collection centres that are able to receive waste electronics, a staggering 41 per cent of people have never recycled a small appliance in their life even though almost a third of respondents changed their kettle in the past twelve months (29 per cent) and one in four swapped mobile phones (25 per cent).

With the UK population projected to spend £7.3bn in total, or £144 per head, on electricals in the last quarter of this year alone, there is an urgent need to raise awareness about the possibilities of recycling electronic waste, especially over the Christmas period when many of us will receive new goods to replace broken or unwanted items.

In this unique event designed to encourage more of us to recycle our old unwanted or broken small electrical goods this season, Hear Me Now! will perform carols accompanied by The Really Rubbish Orchestra playing a number of unique, electronic instruments that have been built out of electronic waste such as an old telephone receiver, a walkman and a computer scanner. The aim of the event is to highlight that broken or unwanted items are not just waste - they have a value and can be recycled into other useful items.

Maurice Cairnduff, co-founder of the Really Rubbish Orchestra said: "We are delighted to be able to use our expertise to help Recycle Now raise awareness about recycling electrical waste in a fun and creative way. It is quite amazing what you can make from very little. We are really looking forward to the gig and hope people will come down to support us and Recycle Now's campaign."

Gerrard Fisher from Recycle Now said: "Our aim is to inform people in a fun way how and where to recycle their small electricals. At Christmas and New Year many of us choose to buy new appliances, or receive them a gifts and don't know what to do with the old ones.

"The Recycle Now website is a fantastic resource with useful information on how and what to recycle. It also has a helpful postcode finder, which locates all the recycling facilities in your area, and a list showing which retailers take back old electrical goods. All the information is available on the website, and we are hoping that the Really Rubbish experience will get people in the festive spirit but also raise awareness and encourage more of us to recycle our electrical waste over the Christmas period and into the future."

To find out more about recycling in the UK including what you can recycle and where to recycle, please visit the Recycle Now website on
www.recyclenow.com/electricals


- ends -


NOTES FOR EDITORS

Background to the survey:
The survey for Recycle Now was carried out online by Opinion Matters between 12/11/ 2009 and 18/11/2009 amongst a nationally representative sample of 1514 UK adults aged 16+. Opinion Matters adheres to and follows the codes of the MRS (Market Research Society) and are fully registered and compliant with the Data Protection Registrar.

Survey headlines:
o A 1/3 of people (35%) believe electrical goods can't be recycled
o Men are more likely to know that waste electricals can be recycled than women (71% to 61%)
o Older people are more likely to recognise that electricals can be recycled than young people (16-24: 58%; 25-34: 63%; 35-44: 64%; 45-55: 65%; 55+: 67%)
o 28% of people with broken or replaced small electrical items typically throw them away in the bin with their rubbish
o 41% of people have never recycled an electrical item
o Women are more likely than men to have never recycled an electrical item (45% to 35%); conversely, men are more likely than women to have recycled at least one electrical item (65% to 55%)
o Young people are more likely to have never recycled an electrical item than older people (16-24: 67%; 25-34: 58%; 35-44: 40%; 45-55: 36%; 55+: 34%)
o More than a third of people (35%) say they don't know where to take electricals to be recycled
o Kettle and mobile phones top the list for goods that have been replaced in the past year (29% of people have replaced a kettle and 25% a mobile phone)
o Women are slightly more likely to just throw away electricals goods in their rubbish than men (30% compared with 26%)
o 83% would make more of an effort to recycle electricals in the future having been made aware they could

Latest Environment Agency data on recycling small electricals:
Latest figures indicate that as of June 2009, 1.27 million tonnes of electricals were bought in the UK. Of these figures, 480,000t of the electricals bought were small items (irons, kettles, games consoles, hair straighteners, computers, electric hedge trimmers etc) and 70,000t was collected for recycling, which is 14.5%.

Christmas retail predictions:
Verdict report - UK Retail: Christmas 2009 forecast - what's in store?

Waste electrical instruments developed by The Really Rubbish Orchestra
o Plank/skateboard slide guitar and practice amplifier (telephone / portable tape / computer speakers)
o Scanner pianner (computer scanner and waste metal instrument tuned in the key of C (for Chaos!))
o Amplified drums (audio cabinet speakers and amplifier)
o Vocals microphone & stand (internal computer speaker and ex-office lighting standard lamp)
o Percussion (computer keyboard)
o Cuica (Brazilian friction drum) (electric kettle)
o The Really Rubbish Orchestra 'bandemonium' music composition environment (all the above plus walkman tape players, portable cd players, computer speakers, toy keyboard, electronic toy)
o Guitar amplifier, lesley speaker & spring reverb (domestic audio amp, music centre cabinet, record deck, car audio speakers, electronic packaging waste, internal computer speakers, hairdryer heating element, portable tape player, metal computer cabinet)

Recycle Now and WRAP:
1 WRAP helps individuals, businesses and local authorities to reduce waste and recycle more, making better use of resources and helping to tackle climate change.
2 Established as a not-for-profit company in 2000, WRAP is backed by government funding from England, Scotland, Wales and Northern Ireland.
3 Working in seven key areas (Construction, Retail, Manufacturing, Organics, Business Growth, Behavioural Change, and Local Authority Support), WRAP's work focuses on market development and support to drive forward recycling and materials resource efficiency within these sectors, as well as wider communications and awareness activities including the multi-media national Recycle Now campaign for England.
4 Recycle Now is a campaign to encourage people in England to recycle more things more often. Six out of ten of us now describe ourselves as committed recyclers, compared to less than half of us when the campaign began in 2004.
5 More information on all of WRAP's programmes can be found on
www.wrap.org.uk and for more information on the Recycle Now campaign visit www.recyclenow.com"

Priceless. I think Dr Phillpotts thought of, and played, much of this stuff many years ago. Perhaps he should get a commission?

Tuesday, May 26, 2009

Dr Phillpotts provides an erudite commentary ...

Dr Phillpotts has taken time out from his labours to tie together one or two strands that we might otherwise have missed.

"Really Julian, what's next? Left leg? Right leg? You must remember that you are a Delicate Critter and must take care of yourself. ... I was glad to see that Andrew Powell is sending in his contributions: I see that you have already worked out that no 3 is the CH72 season. The reason that the cutting is so close to the huts is that it was extended up to them to follow the lines of postholes of a 20-post longhouse. The strat was very shallow over the bedrock. I think I remember some of the postholes being hacked out by Cameron Moffet with a catbasher, which she broke. She too now lives in Shropshire.

Further to some other recent posts, the shot of
Sylvie was taken up the photographic tower. I was also up the tower when I took the picture of PWD returning from the peeing tree, with a 200m zoom lense. As he heard the shutter click, Phil raised two fingers to me in jocular salute.

I much appreciated the shot of
Jill Hummerstone in action on the serving counter, but I wonder if the double drainer metal sink is in fact a 1980s replacement of the original arrangement, which I fancy may have been single, deep and ceramic. Also in the 1980s refurbishment the whole stage and the piano was lost. Does no one have a picture of the mural that was on the back panel of the stage facing the kitchen? It featured King Kong holding Big Ben, and I believe it was painted by Pat Anderson's sisters c1972.

The unreleased
Troubled Bridge over Water was from our GG and the Wart Removers phase, when we really were a duo and Andrew Powell was lost in space. It featured an extended cut of Jordanian Woman and our nod to the English pastoral tradition, Walking to Hampton Homosexual. Sadly the master tapes are lost, but perhaps if you can remember what BAWB sounded like, you weren't really in it."

Saturday, May 9, 2009

The Return of the Bard of Grimsby ...

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And so what the Seer of Selly Oak foresaw came to pass: in this post but five weeks ago Crickley Hill Man unkindly teased Dr Ferris and - doubtless libellously - suggested that he may have been drinking. But what Dr Ferris prophesied has come true and I'm delighted to announce to an adoring readership the return to the public eye of Mr John Boden, the Bard of Grimsby and cherished member of the Below Average White Band.

After an absence of more than 20 years, John has come out of retirement, dug around in his attic  and sent me, from 1975, the fruits of his brandishing of his Pentax.  Here, as he says, is clear photographic evidence of why 'The Ablutions' were called 'The Ablutions'.

It cannot be long before some imaginative and brave, not to say deranged, impresario puts up the funding to stage a comeback world tour for Ullenwood's favourite band.

Sunday, April 26, 2009

9 diggers and a 5-barred gate ...

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Jim Irvine sends this from 1983.  L to R: Simon Bacon, Jim ? (sadly killed shortly thereafter in a car accident) Sue Bird, ?, John Watterson, Mel ?, Malcolm White, Nina Stoyan, and Griff.  Was this taken just outside Ullenwood with Greenway Lane down to the left?

Update: John Watterson writes: "I don't think we know each other, but Jim Irvine sent you a photograph with me in (John Watterson).  I can help complete a couple of missing names: Sue Bird (now Sue Burrett), Denise (I think...she was friend of Melanie's) ?, John Watterson, Mel(anie) Grant  (now Melanie Thwaites). After all these years I'm still in close contact with Malcolm White, and hear from Sue and Mel every x-mas. The photograph brings back some wonderful memories, but Jim's death was a tragedy. The photograph was taken just outside Ullenwood with Greenway Lane down to the left."

Friday, April 3, 2009

The Sage of Selly Oak strikes again ...

 
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Dr Ferris may have been thirsty a little earlier, I fear. "Crickley Hill Man is to be heartily congratulated in having orchestrated the recent reappearance of Andrew Powell, co-founder of the Below Average White Band, after his decades-long, Syd Barrett-like exile in deepest Wessex. It is a feat of which even Max Clifford would be envious. It is surely only a matter of time before John Boden, the Bard of Grimsby and Andrew's co-founder of the band, also reappears in public.
 
Perhaps Crickley Hill Man should now reproduce again the mysterious and controversial photograph of the later band, as a duo, slated for the cover of the first, never-issued, BAWB album 'A Troubled Bridge Over Water'. As Crickley Hill Man is aware, at the time Andrew's absence from the photo was used by conspiracy theorists as evidence of his untimely demise after he had driven his souped-up Vauxhall Viva into the municipal boating lake at Pittville Park after a night of improvised free jazz, free love, and general rock-and-roll excess.
 
The rather more prosaic explanation for Andrew's absence from the photo-that he had a dental appointment on the day of the shoot-was never accepted by the band's overly-sceptical fanbase whose principal members were little more than crazed celebrity stalkers, as we would term them today."

Andrew Powell - founding member of the Below Average White Band ...

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A long-lost star returns. Founding member of the Below Average White Band,  Andrew Powell (with ironic Bay City Rollers hat, bought on a Thursday outing to Weston Super Mare).  Ros Cleal passed Andrew word of this site and he encloses this portrait saying "I am gradually working my way through the blog, which prompts many and varied memories, mostly sunny and happy, some sublimely surreal, and not a few suffused with a scrumpy haze. I am particularly impressed with Dr. Phillpotts’ definitive biography of the BAWB – a before-its-time, pre-punk fusion of prog rock, modern classical music, improvised heavy metal (literally – teapots, cutlery, chairs etc.) and drunken revelry in the great British tradition."

Sunday, February 8, 2009

Return of the Below Average White Band?

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From inspecting other contemporaneous photos in the Phillpotts collection, this picture of him and John Boden on the bridge at Shipton-on-Cherwell in 1984 was probably taken either by me or Penny Hart (then Griffiths).  Doubtless there was a gathering at Lower Farm Cottages in Thrupp, Oxon., where, in those days, lived Iain Ferris, Guy Grainger and John Boden.  Whether the photographer was me or Penny matters not: what we did not spot is that this would have been the perfect album cover - just the right atmosphere - for the latest chart-toppers from the Below Average White Band ... 

Tuesday, January 6, 2009

A much coveted oolitic limestone trophy ...

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Dr Phillpotts's 1980 caption reads: "Julian Parker looks on as John Parry presents the piece of limestone to Mike Taylor as Personality of the Year".  Hmm... well I suppose it made sense to make trophies out of limestone, as it wasn't exactly in short supply.   

There are some details in this shot that bring back certain memories.  Not only do I still appear to have some hair to go with the beard in this photograph, but I am wearing evening dress: the wing collar and the bow-tie can just about be made out.  I now recall buying the dinner jacket, and other necessary items, at the Cheltenham Oxfam Shop.  I rather think I was accompanied by Jane Dineen or Ros Cleal, or both, on this particular shopping expedition. We swapped a pair of trousers, that were obviously far too big for me, from one hanger, which bore a jacket that fitted me, for the trousers belonging to an entirely different suit, which had a jacket that was far too small for me.  The resulting ensemble, plus dress shirt and bow-tie was acquired for £5.  I can only hope that a strangely-shaped customer with narrow shoulders, pigeon chest and an enormous waist came along and bought the curious combination dinner suit that was left behind after this feat of leger-de-main.

Mike Taylor, even indoors, is wearing his astonishingly long knitted scarf, a better view of which, on site, is to be found in the top photo here.  Mr Parry, meanwhile, is sporting a black shirt with extravagant cuffs and pearl buttons gleaming in the dim light.  I expect it was one of those evenings when John, with a broad grin, verging on a leer, had announced "I'm going to make myself pretty!".

Behind us is the ill-fated and long-suffering Ullenwood piano. Its debilitated state is hinted at by one or two keys that lie depressed unable to spring back into position.  The piano sustained ever greater damage down the years and, I see, from examining Dr Phillpotts's definitive history of the Below Average White Band, that it never featured as an instrument after the 1980 season.

But what I really want to know is why there are two bottles of GL cider, on top of the piano, conjoined by a pair of underpants or knickers, which bears what looks suspiciously like a representation of Donald Duck on the front ...

Thursday, December 25, 2008

Ode to Ullenwood

Dr Phillpotts, in his definitive history of the Below Average White Band, which I posted here, in November, makes reference to the performance of the "Ode to Ullenwood". Dr Ferris remembered John Boden's recitations, in the style of John Cooper Clarke, here.  One such recitation, after a session at the Air Balloon, took place in 1980: the accompaniment to JB consisted of Phillpotts on hosepipe, teapot, kazoo and jug, Ferris on cider jars filled with varying amounts of water to change the pitch of the notes, and Parker on Piano. I seem to remember playing the pianowires, inside the piano itself, with the assistance of some cutlery purloined from the kitchen. Hmm...

I have unearthed the original typed manuscript of the Ode to Ullenwood: it was written one evening at my parents' house in Crouch End in London by Dr Phillpotts, myself and my mother. We were, if I remember through the haze of time, assisted by liberal libations of rough cider made by Westons of Much Marcle. That was my mother's preferred drink: one of my schoolfriends once remarked that my parents's house was the only place he knew where rough cider was treated as a soft drink that you were given if you couldn't think of anything you'd rather have.  My mother had been trained, in her schooldays in the early 1930s, to write verse: she was good at rhyming and very hot on scansion. But I digress. Here then, after a doubtless welcome absence of 28 years, since its one and only public performance, is the Ode to Ullenwood, together with a commentary, not all of which survives.

Ode to Ullenwood Line

Near Ullenwood a hill was found,
A fort with ramparts bless’d:
Courtney’s woeful Leisuredrome
Was built upon its crest. 4

An archaeologist came by,
Of Mediaeval bent,
And all at once he was inspired
His passions there to vent. 8

So Dixon set his crew to dig
With catbasher and pick,
Continuing ten years and more
Since work is scarcely quick 12

The Secretary, a bearded man,
Driving Volkswagen van,
Prepared the camp at Ullenwood
For Dixon’s rabid clan. 16

The end of Greenway Lane once reached,
Is met with Lofty’s glare
But girls may find reserved for them
A leering Parry stare. 20

The dormitories are bare indeed,
But homely all the same –
Straw mattresses which Michael Dash
Flea-powder’d into fame. 24

Are cubicles anathema
And cramping to your style?
Then tents erect and there inspect
Your partner’s winsome smile. 28

Each evening one is forced to queue
To fuel the hungry gut,
With beans and sausage pie and stew
And baps, that fearsome glut. 32

The vile corpse thus satisfied
Can never be too soon
Restored by running down the lane
To reach the Air Balloon 36

At closing time, the camp regained,
The Mummers take the boards
With kettle, hose and dustbin-lid
To tame th’unlovely hordes. 40

Cacophony is shrieked aloft
To make the rafters ring:
Three drunken diggers take the stage
Endeavouring to sing. 44

The Bacchic frenzy lingers on
Till one or two a.m.
Bewildering the new recruits
O! Who the tide will stem? 48

The breakfast eggs the stomach turn,
Reduce strong men to pulp;
The sausages and beans and grease
Resist your every gulp: 52

But soft! the Sound of Lofty’s horn
Summoning all in sight,
To mount the fearsome Magyar’s coach
Worsens your morning plight: 56

The summit reached, the dumper trucks
With clangor fill the air,
And Parry’s morning curse therewith
Chills the brave and fair. 60

But Parry’s curse, put into verse
Immodest here would seem:
The poet now discreet must be
To sully not his theme. 64

Scorn not the Bard whose noble aim
In doggerel is fram’d
The broaching of the tool shed door
By such verse is not shamed. 68

The supervisors name their tools
As Philip tugs his beard
Why blench they all at Bernie’s belch
And why is Courtney feared? 72

The limestone rings to trowel and pick,
The shovels scrape and swing,
The barrows climb the spoil heap side
Their weary loads to fling. 76

Then Corky’s cry – O blessèd sound –
Tea and relief provides,
One cup for each of us, no more,
And biscuits there besides. 80

The work continues then apace,
Till sandwich time arrives
Egg and mustard – mayonnaise –
Th’industrious digger thrives. 84

Another session yet ensues
Till four o’clock – more tea,
But two more weary hours must pass
‘ere diggers can be free. 88

He who would wash must rules obey,
Prevailing in this clime:
He gets the chance on each third day
To scrape away the grime. 92

The ladies’ fate, sad to relate,
Equality foreswears:
Two days in three the showers pour
Cleansing their matted hairs. 96

Despite such strife, the digger’s life
Congenial to few
To us is best, so let the rest
Dear Ullenwood eschew. 100

Commentary and notes on " Ode to Ullenwood"

Title: the poem is addressed to Ullenwood, more specifically to the Civil Defence Centre situated there. (NGR: SO 936 174). It has been the accommodation of numerous volunteer diggers who work on the excavation of Crickley Hill, an Iron Age and Neolithic site situated a few miles from Cheltenham.

The poem consists of 25 four line stanzas and describes many features of life on the excavation and at the camp and several peculiarities thereof.

Line 1: "Ullenwood": cf. note on title.
Line 2: "A fort with ramparts bless’d": the centres of Iron Age and Neolithic occupation are surrounded by an extensive ditch and rampart defensive structure.
Line 3: "Courtney's woeful Leisuredrome" this refers to the decision of the Gloucestershire County Council in the late 1970s to deem the part of the site which belongs to them, and not the National Trust, a "Country Park". To ameliorate the facilities on top of the hill and therefore attract the general public, a public lavatory complex was built at the site. This was a cause of much chagrin to the diggers who, resenting the modernity of the lavatories and furthermore the sudden influx of tourists to distract them from their work, would have preferred to continue to use the "Elsan" chemical toilets which became such a prominent feature of the digging day, in the years from 1969 to 1979 when the toilets were built. Terry Courtney is the assistant director of the excavation, and an unidentified digger name to the lavatory block after him. Suggestions from one of the diggers, Flt Lt David Southwood, RAF, that he should bomb the Leisuredrome has been turned down because of the ensuing havoc, despite the desirability of the programme.
Line 5: “An archaeologist” : a reference to Dr P. W. Dixon, of Nottingham University, the Director of the Excavation.
Line 6: "Of Mediaeval bent": Dr Dixon's preference is for the aforementioned period.
Line 10: "catbasher": a word in vogue at Crickley meaning an entrenching tool, cf. refs to J. Parry Esq.
Line 11: "ten years and more": the excavation has been in progress since the summer of 1969.
Line 12: the site covers 9 ½ acres of which an area in the region of 4 acres has been completely excavated.
Line 13: "the secretary": R.D.A. Savage, lecturer at the Gloucestershire College of Art and Design, who is an expert on the British Iron Age Mirror series, and also upon Celtic myth. He is the secretary of the excavation, and in the evenings lectures upon these two subjects with great zest as well as on the maintenance of Ullenwood, notably the dangers of blocking the drains with foreign material.
Line 14: "Volkswagen van" Mr Savage possesses an "F" registration Volkswagen bus which has performed over 120,000 miles with a few technical hitches on some of the worst terrain in Great Britain. The van has only been known to collapse after conveying no less than 23 people from site to camp, along the old quarry road; this proved too much for the suspension but little else ever has.
Line 17: "Greenway Lane": the lane which leads from the B4070 to the Civil Defence Centre.
Line 18: "Lofty": the Hungarian caretaker of the camp who is tremendously helpful, but positively frightening if riled or if he suspects that all is not quite what it should be.
Line 20: "a leering Parry stare": you'll soon meet John whose principal occupation is coin dealing, though this is linked with colourful language, and leering at everybody. A fixture at Crickley.
Line 21: the dormitories certainly are bare but the rain is rarely known to penetrate the corrugated iron roof and the accommodation is much superior to that of most sites.
Line 23 to 24: the straw mattresses can be a trifle hard, but during his years of work on the excavation, Michael Dash of Sussex University, has by regular and extensive application of powder ensured that we can all sleep comfortably beds free from bites at the hands of any creatures that may be fool enough to attempt to inhabit the mattresses. The probability of getting respiratory problems because of the powder is, however, accordingly increased.
Line 25 to 28: It is, perhaps, worth noting that camping is available as an alternative to listening to other people snoring in the cubicles.

The rest of the commentary is lost, which is perhaps as well.

Wednesday, November 12, 2008

Below Average comments from Dr Ferris...

"Crickley Hill Man's publication of the Rock Family Tree for the Below Average White Band and its offshoots jogged my usually overactive memory somewhat. I'll only comment on one of the offshoot band names, as I expect Crickley Hill Man will be hearing from various firms of solicitors with regard to his publication of some of the other names. Good luck in court, by the way; I hope this doesn't jeopardise your attendance at the reunion. Anyway, 'Shapes I Remember from Maps', named by me, refers to part of the first line in Talking Heads' song 'The Big Country', with a nod towards another favourite of mine at the time Wire's 'Map Ref. 41° N 93°W'.

As for the content of John Boden's recitations, usually voiced to mimic John Cooper Clarke, these once included extracts, very lengthy extracts, from 'Poems in the Lincolnshire Dialect'. The Bard of Salford has never sounded stranger than when mutated into The Bard of Grimsby."

Monday, November 10, 2008

At last: a Definitive History of the Below Average White Band

Dr Phillpotts performed manfully (should that be tunefully or rhythmically?) in all bar one of the manifestations of the United Kingdom's most cacophonous and curiously talented band. He also lovingly recorded the identities of his fellow band members and the instruments they "played". This historical chart was originally created by Dr Phillpotts, with no little difficulty, in Word: I've reworked it in Powerpoint in order to get the whole history onto a single frightening page. It is perhaps too ambitious to write a commentary on all known performances of the band in a single post, so having published tonight the BAWB's DNA, I call upon other fellow band members to assist me in recalling its more memorable moments. Click on the image to get a larger and more legible version ...

The definitive list of instruments is: piano, kettle, hosepipe, guitar, percussion, clarinet, bottles, spoons, toys, dustbin lids, various parts of Mr Bernard Dawson too numerous to list separately, kazoo, recorder, harmonica, teapot, jug, cider jars, voice, short and long scaffold pipes, water tubs, furniture van, plumbing pipes, tin bowl, plastic bowl, kitchen scales, cups and anglepoise lamps.
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Sunday, November 9, 2008

Steve Vaughan's pop career ...

Iain Ferris writes, possibly after a good lunch, "I wonder if Crickley Hill Man or any of his dedicated readers have noticed the striking resemblance between Steve Vaughan in your recently-posted picture of him posing with a killaspray and Johnny Borrell, lead singer in the popular beat combo Razorlight? Are they perhaps in some way related? Maybe you could print photos of these two titans of rock together so that the public can make up its mind on this crucial matter."


--- Johnny Borrell     ---           --- Steve Vaughan   ---

Well, there they are, folks, make up your minds: the last time Steve Vaughan graced a stage at Ullenwood during a Crickley season according Dr Phillpotts's definitive history of the various manifestations of the Below Average White Band was as the percussionist in the 1984 group Hanging Judge and the Reprobates ... Steve replies: "All I can say is that it seems my secret is finally out ... I don't really ever remember having that much hair, and as for being percussionist, it must have been one of those very rare moments that drugs dulled the memory. My only recollection of a genuine rockstar moment was when I gyrated on the dining room table wearing my "Sex appeal, Give generously" underpants that had been presented to me for my 22nd birthday (1982). It impressed my current wife so much that a flowchart entry resulted ..." Someone was always, at some point, going to mention the flowchart. I'd like to reassure my readers that even know of its existence that I do not have a copy and the original is safely under the guard of the Chronicler in Shrewsbury.
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Tuesday, October 28, 2008

The 2004 reunion ...

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Phil has very kindly sent me this one from four years ago: L to R: Don Mickley, Mike Sims, Malcom White, Nick Snashall, Jim Irvine, Ros Cleal, Julian Parker, Pauline Dumbrill, Joanne Vaughan, Lucy Loveridge, Terry Courtney, Corky Gregory, Paul Noakes, Julie Gale, John Gale, Chris Phillpotts. If you click on the photo you'll get an enlarged version for closer inspection. A careful examination of Dr Phillpotts will reveal that he is carrying a length of hosepipe in the hope that there might be a brief reunion of the Below Average White Band ...

Sunday, September 28, 2008

From Bernard Dawson: line gang removing rocks from the ditch, cutting AXV, 1979

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Another splendid shot, this time of the team removing large bits of rock from the bottom of the ditch on the outer side of the rampart in 1979. Bernie Dawson sent the photo and Dr Phillpotts identified far more people than Bernie and I did: L to R on the baulk: Malcolm White, ?, ?, Ken Collier, ?, Julie Fissenden, ?, ?, Paul Noakes, ?, ?, Julian Parker. In the ditch: Terry Courtney, ?, ?, Elsa Charlot, Gill Drury, ?, ?, Zoya Spivakovska, Mark Spivakovsky (in hat), ?, Dmitri, ?, Pete, ?, Penny Locke, ?, Training (blue top at right), Mike Taylor in the background.

Friday, September 19, 2008

Life at Ullenwood 2: Dr Ferris writes ...

Like Crickley Hill Man, I thought I would also set down some memories of living at Ullenwood while digging at Crickley. Certainly the camp was very much as remembered by Crickley Hill Man even in the earlier seasons-I first dug at Crickley in either 1971 or 1972. There was also a private house, next to the mess hall and kitchen, lived in by Lofty, the exiled Hungarian coach driver for Swanbrook Coaches and Mrs Lofty his wife, whose real name we never knew. Beyond this was a large tarmacked area known, for obvious reasons, as the football pitch, and to the side of that a few Nissen huts dubbed 'the married quarters'. The most curiously monickered buildings were The Ablutions, the washrooms and toilets, but I cannot recall if there was a sign on the doors designating them this way or if the name originally came from Richard Savage.
The mess hall or dining room was the hub of the camp, with book readers and letter writers spilling out of the mess hall to sit on the steps in the better evening weather. Dinner served at 7 o'clock was always somewhat of a stampede, though there were always inevitably seconds available. I cannot recall a season when the food wasn't really good, though those diggers who on a couple of mornings had their breakfasts cooked by John Boden and myself in order to give the hard-pressed cooks a sleep-in may beg to differ.

In those pre-mobile phone days Ullenwood was amazingly quiet and restful, generally until after the Air Balloon had shut. There was no TV and record players or cassette decks only tended to be brought out on party nights-on two or three Wednesday nights every season. I do remember though many of us being gripped by certain dramatic news stories listened to on transistor radios whenever we could, these being the fall of Saigon in 1973 and the Turkish invasion of Cyprus in 1974.

After dinner, if we weren't on chores, we would go the Air Balloon or attend one of the evening lectures and then race down to the Air Balloon for last orders. I particularly remember Richard Savage's marvellous lectures on the Irish sagas which had a huge influence on me. Kenneth Jackson's Celtic Miscellany, recommended by Richard, is still a favourite book of mine.
Getting back from the Air Balloon could either be by the simple direct route or on some evenings it would involve walking up Crickley Hill and along the scarp through the woods. In the dark this could be quite time-consuming, particularly when we stopped off to sit on top of one of the barrows near the top of Greenway Lane to drink cider take-outs- Gold Label, GL -and tell ghost stories.

For a couple of seasons I was a member of the terribly-named Below Average White Band whose regular drink-fuelled late night performances of improvised 'sound sculptures' on 'found' instruments such as an old piano frame, a kettle with a rubber hosepipe attached and some biscuit tins and empty cider bottles gave GBH of the earhole to many more sober diggers back in the mess hall. Other members of the band included Chris Philpotts and John Boden but I cannot remember who else might have performed with this sadly not-missed floating collective of troubadours. Update: definitive history from Dr Phillpotts now posted here. About 20 people "performed" one way and another over the years.